Get free shipping for order over 500EGP
Get free shipping for order over 500EGP
Comica omnidirectional condenser lavalier microphone CVM-D02 is one dual-head mic for audio recording from two different persons; Cable length 2.5m/8.2ft. The Mic adopts 2.5mm diameter silica-gel cable, and metal mic-shield materials for production, coming with excellent anti-interference function, and packed in windscreen for broadcast-quality recording for smartphone, camera, camcorder, audio device and for GoPro Hero 4/3+/3 action camera.
Maximum SPL: 100dB
Frequency Range: 50Hz~20kHz
THD: <5% Dynamic Range : 114dB(per IEC651) Sensitivity: -35dB±3dB re 1V/Pa @1kHz Signal / Noise: 68dB SPL (@1kHz,rel 1Pa per IEC651) Material Cable Material:Silica-gel Mic Shield Material:Aluminum Alloy Cable Length: 2.5m / 4.5m / 6.0m
UHF Dual-Channel Wireless Microphone System
The BOYA BY-WM8 Pro-K2 is an upgrated UHF Dual-Channel Wireless Microphone System
for capturing audio with dual subjects, features an easy-to-read LCD display, a wide switching RF bandwidth,
PLL-synthesized tuning and digital companding circuitry.
The package is suitable for a wide range of wireless applications such as interviews,
electronic news gathering (ENG),electronic field productions (EFP), film production,
business and educational applications, and more.
The BY-WM8 Pro-K2 system consists of two bodypack transmitters, a camera-mount receiver,
and two omnidirectional lavalier microphones. Also included with this system is a shoe-mount adapter,
a single 1/8″ to XLR output cable, a single 1/8 to 1/8″ output cable, carrying case.
The receiver is built with mic and headphone output jacks.
The bodypack transmitter includes a MIC jack and LINE IN jack.
Note: To save battery life, if only use one transmitter, please turn OFF the other channel from receiver.
– Digital Companding
– Up to 48 Selectable channels
– Up to 32 MHz of transmission bandwidth
– Easy and flexible wireless synchronization between transmitter and receiver via infrared.
– User-friendly menu operation
– Muting function
– Wide range of accessories adapts the system to most of requirements
– Locked-plug avoids accidental changing of settings
– Transmission Range: up to 100 meters / 300
Customized applications for field recording, music and podcasting
3 distinct interfaces for field recording, music and podcasting
Interchangeable input capsules
12-track simultaneous recording
Four mic inputs and two XLR/TRS combo connectors
Gain control knobs and -20dB pads for each input
Supplied XYH-6 X/Y capsule provides secondary input via a stereo ⅛” Mic/Line In mini phone jack
Phantom power for four main XLR inputs: +12/+24/+48V
Large color LCD touchscreen display
Records directly to SD, SDHC and SDXC cards up to 512GB
Up to 24-bit /96kHz audio in BWF-compliant WAV or a variety of MP3 formats
Auto-record, Pre-record and Backup-record functions mean that you’ll never miss that perfect take
Built-in effects, including low-cut filtering, compression, and limiting
Multichannel and stereo USB audio interface for PC/Mac/iPad
Plug-in Condenser Microphone
The BOYA BY-A7H is a compact plug-in omni-directional condenser microphone
that makes your smart device into high-quality recording device.
With 6mm capsule, it provides rich frequency, crisp and clear audio sound to your interviews,
videos, voice memos, speeches and more. Rubber splint design ensures fixed mic position to
avoid accidental rotating during video or audio shooting.
It features with 3.5mm TRRS, allows simply plug and play, and work with most iOS & Android devices,
or any other audio/video equipment with 3.5mm jack
COMICA Omnidirectional polar pattern microphone input line.
Adopting CNC processing terminal technology.
Accurate Size, Cable is made of Silica-gel material.
High sensitivity signal transmission.
Specially designed for Sony wireless microphones.
Sensitivity: -35dB ±2dB
Frequency Response: 30Hz~20KHz
Max Sound Pressure Level: >100dB
Wire Length: 1.2m
Item Weight: 20g / 0.7oz
Package Size: 11.7 * 7.8 * 2.9cm / 4.6 * 3.1 * 1.1in
Package Weight: 41g / 1.4oz
Commlite CoMica Lavalier Microphone CVM-V03GP is specially designed and used for GoPro,such as GoPro Hero 3/3 /4 Action Camera. The mic utilizes the Omni-directional and super anti-interference Mic head, coming with exquisite design as well as excellent functions like ‘ 10dB’ dB adjusting and working indicator, working with the normal Lithium battery CR2032 and long cord, making your recording more versatile. This unit the best advantage is microphone, it is special design for Gopro , filter out noise, so the recording sound-quality is much better than the gopro internal one’s.Unit is extremely lightweight, designed for optimum portability and comfort, and delivers some of the clearest recorded sound you can find.
a.Compatible for GoPro Hero 4/3 /3/2/1 Action Camera
b. 10dB adjustment, optional and flexible
c.Come with Mini USB plug microphone, just plug it without converter adapter
d.Special design of Power indicator, easy to operation.
e.Omni-directional super-shield mic-head, pick up sounds from your environment easily
f.With A Secure Active Clip, you can clip it on your lapel or pocket where you like
g.With wind muff Built-in metal shield and power-drived control to efficiently decrease noise, make perfect sound volume
h.Precise Design of CR2032 Battery, simply to replace
i.Along with 6.2m Long Cord to meet your needs
i.A Portable Carrying Bag for convenient carrying
j.Extremely lightweight, Plug and Play,Easy to Use
Polar Pattern: Omni-directional
Maximum SPL: ≥134dB SPL(@1kHz, 1% THD into 1KΩ load)
Frequency Range: 20 ~ 20KHz
Output Impedance: 200Ω
Dynamic Range: 114dB
Sensitivity: -28dB or -38dB±3dB @1kHz
Signal/Noise: ≥74dB SPL
Package Size: 16.3 * 11 * 5cm / 6.4 * 4.3 * 2in
Package Weight: 132g / 4.7oz
Item Weight 1.41 ounces
Package Dimensions 4.4 x 3.1 x 1.1 inches
Item model number VF-CVM-M-O1
Customer Reviews 4.8 out of 5 stars 6 ratings
4.8 out of 5 stars
Best Sellers Rank #79,980 in Musical Instruments (See Top 100 in Musical Instruments)
#936 in Wireless Lavalier Microphones & Systems
#26,936 in Music Recording Equipment
Date First Available October 6, 2019
Connector Type 3.5 mm Jack
Material Type Gel
Hardware Platform Tablet
Ideal for bands, multi-instrumentalists, and podcasters, the Zoom H6 portable handheld recorder lets you quickly record up to six simultaneous input signals regardless of your audio experience. With two swappable stereo microphone capsules, six versatile mic/line inputs, and up to 6-track recording, the H6 is both user-friendly and easily expandable.
Like other H-Series Handy recorders such as the H4n Pro and H5, you can hold it in your hand, attach it to a mic stand or tripod, or mount it to a camera (shoe mount available separately); the H6 packs an impressive array of features into a rugged, rubberized body that’s more than ready to meet the varied demands of musicians, content creators, videographers, and sound designers.From the intuitive, tactile controls to the plentiful battery life and powerful audio processing functions, the H6 is well equipped for producing pristine audio for complete musical arrangements, independent films, and panel podcasts. It can supply phantom or plug-in power for condenser mics, or accept direct connections from synths, keyboards, drum machines, or +4 dB line-level mixers. No matter the source, selectable auto-recording and pre-recording ensure that you’ll never miss the start of a take, and stereo safety track recording provides duplicate tracks at a lower level to avoid distortion.
Fast, User-Friendly Operability
The H6’s front panel is ergonomically arranged with its most essential and commonly used controls—transport buttons for record, play/pause, stop, back, and forward operations, individual record-arm buttons that double as mute switches during playback, large gain knobs, and pad switches. For added safety, a hold switch disables all front-panel buttons to prevent accidental operation during recording.
Day or night, view vital information such as audio levels, recording time, battery status, and more on the 2″ full-color LCD, which happens to be backlit and angled for maximum visibility.
Instant Access to Gain Adjustments
Each H6 input has its own dedicated gain control knob. There’s no track selection or button pressing required to optimize your recording levels; just turn the dials (clearly labeled from 0 to 10) anytime you need to adjust the gain. If your XLR-1/4″ input sources are so loud that you need even less gain than the preamps provide at the “0” setting, use four front-panel pad switches to attenuate the combo inputs by 20 dB.
Interchangeable Stereo Microphone Capsules
Leave your external mics at home and travel light; the H6 includes two interchangeable stereo microphone capsules. With nothing more than the H6, you’re set to record speech, practice sessions, concerts, or ambient and environmental sounds, even ear-rattling ones up to 136 dB (via the X/Y capsule)!
The XYH-6 capsule provides clear, phase-accurate capture in two different X/Y positions—90° for a tight stereo image or 120° for a wider perspective. Just twist the capsules to their premarked positions to switch between the two configurations.
Switch to the MSH-6 capsule to record in a mid-side configuration. Its front-facing directional element picks up direct signal while the side-facing bidirectional element captures ambience. The H6’s integrated MS decoder allows adjustment to the perceived width of the stereo image, which is beneficial for sound design, broadcasting, or general stereo-to-mono compatibility.
Supports Interchangeable Zoom Mic Capsules
The Zoom mic capsule input on the H6 accommodates Zoom’s line of separately available interchangeable capsules, which can be swapped out as easily as the lenses of a camera. With shock-mounted X/Y and mono or stereo shotgun mic capsules to choose from, you can be ready to record music, dialog, or sound effects without carting an external microphone setup. Opt for the EXH-6 combo input capsule to accept two additional mic/line signals via XLR-1/4″ jacks.
Six Channels of Microphone/Line Inputs
Equipped with four XLR-1/4″ combo inputs and a 3.5mm stereo mini-jack input (on the XYH-6 capsule), the H6 can accommodate condenser microphones, +4 dB balanced line-level sources, or signals from unbalanced instruments with active electronics. Turn on 12, 24, or 48 VDC phantom power to the XLR jacks, or 2.5V plug-in power to the mini jack. Whether you plan on recording studio condenser mics, feeds from wireless receivers, or a lavalier and shotgun mic combo for an interview, the H6’s preamps are ready to deliver low-noise (-120 dB EIN) performance.
Record All Channels Live or Overdub Layers
The H6 boasts 6-channel recording at up to 24-bit / 96 kHz resolution. Record all channels simultaneously or utilize the overdubbing function to add layers of instruments after an initial recording. Adjust levels and pans for your tracks, then use the H6’s internal mixdown function to blend six tracks down to a stereo file.
SD Card Recording and Audio Interface Functionality
Maximize portability by recording directly to an SD card (up to 2GB capacity), SDHC card (up to 32GB capacity), or SDXC card (up to 128GB capacity). A 2GB card will yield over three hours of 16-bit / 44.1 kHz stereo recording time using the BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility. Note that media cards are available separately, and larger capacity cards will increase startup times.
Alternatively, use the H6 as a 6-in/2-out USB 2.0 audio interface at up to 24-bit / 96 kHz. For audio interface operation with an iPad (Apple Camera Connection Kit required and available separately), select USB stereo mode, which offers two channels in and out at up to 16-bit / 48 kHz.
3.5mm Outputs for Simultaneous Hookup to a Camera and Headphones
The H6 boasts 3.5mm line and headphone mini-jack outputs for simultaneously feeding your camera/DSLR and a pair of headphones. Independently adjust the headphone volume via the side-panel volume control. For quick playback reference, a built-in monophonic speaker is also provided.
Powered via AA Batteries or AC Adapter
Power the H6 via four included AA batteries, or plug it into a wall outlet with an AD-17 AC adapter (available separately). Alkaline batteries can keep the H6 running for over 20 hours of continuous 16-bit / 44.1 kHz recording using the X/Y mic capsule, or for over nine hours of nonstop 24-bit / 96 kHz recording using the X/Y mic and the four XLR-1/4″ inputs. When using the H6 in the stereo USB audio interface mode, USB bus powering is possible.
Rugged and Portable, Handheld or Mounted
The durable, ergonomic body lends itself naturally to handheld use. Should you need to mount it on a mic stand or tripod, a threaded hole on the back of the H6 obviates the need for stand adapters. Obtain a hot shoe adapter (available separately) to attach the H6 directly to a DSLR.
Signal Processing Adds Sonic Polish
The H6’s onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low-frequency rumble. Normalize files for maximum gain, split them into smaller chunks, and even insert up to 99 marks per recording.
There’s an onboard metronome and tuner, and you can loop playback and adjust pitch and speed independently, making the H6 an ideal tool for phrase training.
Special Recording Functions
The H6 offers selectable recording functions designed to prevent you from accidentally missing the start of a performance. By keeping the previous two seconds (one second at 96 kHz) of audio whenever you press the record button, the pre-record option ensures that you’ll never cut off the beginning of a great take. Auto-record can automatically start recording when a user-set sound level is detected, making it great for voice-activated recording.
Backup record enables the H6 to automatically record a duplicate of the L/R input with 12 dB less input gain. Even if your original track is distorted, chances are the backup version will be fine!
Supports External Remote Control
Use the RCH-6 remote (available separately in the APH-6 accessory pack) to control the transport, arm tracks, and adjust volume at a distance while eliminating handling noise.
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