Nic Mic 2×1 CVM-D02 6mNic Mic 2×1 CVM-D02 6m
Comica omnidirectional condenser lavalier microphone CVM-D02 is one dual-head mic for audio recording from two different persons; Cable length 2.5m/8.2ft. The Mic adopts 2.5mm diameter silica-gel cable, and metal mic-shield materials for production, coming with excellent anti-interference function, and packed in windscreen for broadcast-quality recording for smartphone, camera, camcorder, audio device and for GoPro Hero 4/3+/3 action camera.
Maximum SPL: 100dB
Frequency Range: 50Hz~20kHz
THD: <5% Dynamic Range : 114dB(per IEC651) Sensitivity: -35dB±3dB re 1V/Pa @1kHz Signal / Noise: 68dB SPL (@1kHz,rel 1Pa per IEC651) Material Cable Material:Silica-gel Mic Shield Material:Aluminum Alloy Cable Length: 2.5m / 4.5m / 6.0m
Mic BY- PVM1000Mic BY- PVM1000
Polar pattern: Super-Cardioid
Frequency response: 25Hz-20kHz
Signal/Noise: 80dB or more
-33dB±1dB / 0dB=1V/Pa,1KHz
-56 dB re 1V/Pa(1.0mV @ 94 dB SPL) ± 3 dB @ 1 kHz
48V phantom or 1.5 AA battery
MIC BY-WM8 PRO K2MIC BY-WM8 PRO K2
UHF Dual-Channel Wireless Microphone System
The BOYA BY-WM8 Pro-K2 is an upgrated UHF Dual-Channel Wireless Microphone System
for capturing audio with dual subjects, features an easy-to-read LCD display, a wide switching RF bandwidth,
PLL-synthesized tuning and digital companding circuitry.
The package is suitable for a wide range of wireless applications such as interviews,
electronic news gathering (ENG),electronic field productions (EFP), film production,
business and educational applications, and more.
The BY-WM8 Pro-K2 system consists of two bodypack transmitters, a camera-mount receiver,
and two omnidirectional lavalier microphones. Also included with this system is a shoe-mount adapter,
a single 1/8″ to XLR output cable, a single 1/8 to 1/8″ output cable, carrying case.
The receiver is built with mic and headphone output jacks.
The bodypack transmitter includes a MIC jack and LINE IN jack.
Note: To save battery life, if only use one transmitter, please turn OFF the other channel from receiver.
– Digital Companding
– Up to 48 Selectable channels
– Up to 32 MHz of transmission bandwidth
– Easy and flexible wireless synchronization between transmitter and receiver via infrared.
– User-friendly menu operation
– Muting function
– Wide range of accessories adapts the system to most of requirements
– Locked-plug avoids accidental changing of settings
– Transmission Range: up to 100 meters / 300
ZOOM H1NZOOM H1N
Speech, Sound Effects & Music Recording
Onboard Stereo Mic, Built-In Speaker
3.5mm Mic/Line Input with Plug-In Power
Simple Layout of Common Controls
Records in WAV up to 96 kHz
3.5mm Line/Headphone Output
Auto-Record & Pre-Record Functions
Battery Life up to 10 Hours
Supports microSDHC Cards up to 32GB
Auto-Level, Limiter & Low-Cut Filte
Recording Media microSD/SDHC (class 4 or higher, up to 32 GB)
Recording Format WAV: 44.1 kHz/16-bit, 48 kHz/16-bit, 48 kHz/24-bit, 96kHz/24-bit
MP3: 48 to 320 kbps
Display Monochrome LCD (96×64) with REC LED (red), 1.25″ / 3.2 cm
Inputs Built-In Mic: 90° XY stereo format, 120 dB SPL maximum, -∞ to 39 dB input gain
Mic/Line In: 3.5 mm stereo jack, -∞ to 39 dB input gain, 2 kOhms or higher impedance rating, plug-in power (2.5 V) supported
Outputs 3.5 mm combined line/headphone stereo jack
USB Micro-USB, USB 2.0 high-speed
Interface Operation Mode USB class compliant, 44.1 / 48 kHz sample rate, 16-bit, 2 x 2 operation, asynchronous transfer
Power 2 x AAA batteries (alkaline, NiMH, or lithium)
Recording Time About 10 hours (alkaline batteries, built-in mic at 44.1 kHz / 16-bit)
Dimensions (W x D x H) 2.0 x 5.4 x 1.3″ / 5.0 x 13.8 x 3.2 cm
Weight 2.1 oz / 60.0 g
Package Weight 0.5 lb
Box Dimensions (LxWxH) 8.6 x 4.3 x 1.7″
BOYA BY-MM1BOYA BY-MM1
Transducer: Electret Condenser
Polar pattern: Cardioid
Frequency Response: 35-18KHz +/-3dB
-42dB +/- 1dB / 0dB=1V/Pa，1kHz
Signal to Noise Ratio:
3.5mm TRS and TRRS connection
NIC CVMW-M-02 SONYNIC CVMW-M-02 SONY
COMICA Omnidirectional polar pattern microphone input line.
Adopting CNC processing terminal technology.
Accurate Size, Cable is made of Silica-gel material.
High sensitivity signal transmission.
Specially designed for Sony wireless microphones.
Sensitivity: -35dB ±2dB
Frequency Response: 30Hz~20KHz
Max Sound Pressure Level: >100dB
Wire Length: 1.2m
Item Weight: 20g / 0.7oz
Package Size: 11.7 * 7.8 * 2.9cm / 4.6 * 3.1 * 1.1in
Package Weight: 41g / 1.4oz
MIC BY-M1DMMIC BY-M1DM
Transducer: Electret Condenser
Polar pattern: Omni-directional
Frequency Range: 65Hz ~ 18KHz
Signal / Noise: 74dB SPL
Sensitivity: -30dB +/- 3dB / 0dB=1V/Pa, 1kHz
Output Impedance: 1000 Ohm or less
Connector: 3.5mm (1/8”) 4-pole gold plug
Power requirement: LR44 (included)
Cable length: 4m(13ft)
Net weight: 68g(2.4 oz)
BOYA BY-M1 NIC MICBOYA BY-M1 NIC MIC
• Clip-On Mic for Smartphones, DSLR, Camcorders,
Audio recorders, PC etc.
• Omni directional condenser microphone
• High-quality condenser is ideal for video use
• Low handling noise
• Includes lapel clip, LR44 battery, foam windscreen,
Nic Mic CVM-V03GPNic Mic CVM-V03GP
Commlite CoMica Lavalier Microphone CVM-V03GP is specially designed and used for GoPro,such as GoPro Hero 3/3 /4 Action Camera. The mic utilizes the Omni-directional and super anti-interference Mic head, coming with exquisite design as well as excellent functions like ‘ 10dB’ dB adjusting and working indicator, working with the normal Lithium battery CR2032 and long cord, making your recording more versatile. This unit the best advantage is microphone, it is special design for Gopro , filter out noise, so the recording sound-quality is much better than the gopro internal one’s.Unit is extremely lightweight, designed for optimum portability and comfort, and delivers some of the clearest recorded sound you can find.
a.Compatible for GoPro Hero 4/3 /3/2/1 Action Camera
b. 10dB adjustment, optional and flexible
c.Come with Mini USB plug microphone, just plug it without converter adapter
d.Special design of Power indicator, easy to operation.
e.Omni-directional super-shield mic-head, pick up sounds from your environment easily
f.With A Secure Active Clip, you can clip it on your lapel or pocket where you like
g.With wind muff Built-in metal shield and power-drived control to efficiently decrease noise, make perfect sound volume
h.Precise Design of CR2032 Battery, simply to replace
i.Along with 6.2m Long Cord to meet your needs
i.A Portable Carrying Bag for convenient carrying
j.Extremely lightweight, Plug and Play,Easy to Use
Polar Pattern: Omni-directional
Maximum SPL: ≥134dB SPL(@1kHz, 1% THD into 1KΩ load)
Frequency Range: 20 ~ 20KHz
Output Impedance: 200Ω
Dynamic Range: 114dB
Sensitivity: -28dB or -38dB±3dB @1kHz
Signal/Noise: ≥74dB SPL
Package Size: 16.3 * 11 * 5cm / 6.4 * 4.3 * 2in
Package Weight: 132g / 4.7oz
Zoom Mic H5Zoom Mic H5
Ideal for documentaries, podcasting, audio for video, and professional sound design, the Zoom H5portable handheld recorder lets you quickly record up to four input signals regardless of your audio experience. With a swappable stereo microphone capsule, versatile 2-channel inputs, and up to 4-track recording, the H5 is both user-friendly and easily expandable.
Like other H-Series Handy recorders such as the H4n Pro and H6, you can hold it in your hand, attach it to a mic stand or tripod, or mount it to a camera (shoe mount available separately); the H5 packs an impressive array of features into a rugged, rubberized body that’s more than ready to meet the varied demands of musicians, videographers, sound designers, content creators, and news shooters.From the plentiful battery life to the powerful audio processing functions, the H5 is well equipped to handle anything from tracking live performances and podcasts to recording interviews, dialogue, and sound effects. It can supply phantom or plug-in power for condenser mics, or accept direct connections from synths, keyboards, drum machines, or +4 dB line-level mixers. No matter the source, selectable auto-recording and pre-recording ensure that you’ll never miss the start of a take, and stereo safety track recording provides duplicate tracks at a lower level to avoid distortion.
Fast, User-Friendly Operability
The H5’s front panel is ergonomically arranged with its most essential and commonly used controls—transport buttons for record, play/pause, stop, back, and forward operations, individual record-arm buttons that double as mute switches during playback, and large gain knobs. For added safety, a hold switch disables all front-panel buttons to prevent accidental operation during recording. Day or night, view vital information such as audio levels, recording time, battery status, and more on the large, monochrome backlit LCD.
Instant Access to Gain Adjustments
Each H5 input has its own dedicated gain control knob, located beneath a protective bar that prevents accidental movement during handling. There’s no track selection or button pressing required to optimize your recording levels; just turn the dials (clearly labeled from 0 to 10) anytime you need to adjust the gain. If your XLR-1/4″ input source is so loud that you need even less gain than the preamps provide at the “0” setting, use the menu system to activate the -20 dB pad (selectable per input).
Interchangeable Stereo Microphone Capsule
Leave your external mics at home and travel light. The H5 is outfitted with Zoom’s XYH-5 interchangeable stereo microphone that provides clear, phase-accurate capture in a classic 90° X/Y configuration for a tight stereo image. The matched unidirectional condensers are housed within a specially designed shockmount that employs rugged external mic wires and rubberized material to minimize vibration and handling noise. With nothing more than the H5, you’re set to record speech, practice sessions, concerts, or ambient and environmental sounds, even ear-rattling ones up to 140 dB!
Supports Interchangeable Zoom Mic Capsules
The Zoom mic capsule input on the H5 accommodates Zoom’s line of separately available interchangeable capsules, which can be swapped out as easily as the lenses of a camera. With mid-side, X/Y, and shotgun mic capsules to choose from, you can be ready to record music, dialog, or sound effects without carting an external microphone setup. Opt for the EXH-6 combo input capsule to accept two additional mic/line signals via XLR-1/4″ jacks.
2-Channel Microphone/Line Inputs
Equipped with two XLR-1/4″ combo inputs and a 3.5mm stereo mini-jack input, the H5 can accommodate condenser microphones, +4 dB balanced line-level sources, or signals from unbalanced instruments with active electronics. Turn on 12, 24, or 48 VDC phantom power to the XLR jacks, or 2.5V plug-in power to the mini jack. Whether you plan on recording studio condenser mics, a stereo feed from a mixer or wireless receiver, or a lavalier mic for an interview, the H5’s preamps (identical to those found in the H6) are ready to deliver low-noise (-120 dB EIN) performance.
If you happen to setup external microphones in a mid-side configuration, the integrated MS decoder allows adjustment to the perceived width of the stereo image, which is beneficial for sound design, broadcasting, or general stereo-to-mono compatibility.
Record up to 4 Channels Live or Overdub Layers
The H5 boasts multiple recording modes, and is capable of up to 24-bit / 96 kHz resolution. Record in stereo from the X/Y mic capsule or input jacks, or use Multi File mode to simultaneously record the X/Y mic and two external sources (great for getting the room sound and a stereo feed from a mixer). Alternatively, Multi File mode can be utilized for overdubbing in case layers of instruments need to be added after an initial recording. The H5’s internal mixdown function lets you adjust levels and pans as you blend four tracks down to stereo.
SD Card Recording and Audio Interface Functionality
Maximize portability by recording directly to an SD card (up to 2GB capacity) or SDHC card (up to 32GB capacity). A 2GB SDHC card will yield approximately three hours of 16-bit / 44.1 kHz stereo recording time using the BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility. Note that media cards are available separately, and larger capacity cards will increase startup times.
Alternatively, use the H5 as a 4-in/2-out USB 2.0 audio interface at up to 24-bit / 48 kHz. For audio interface operation with an iPad (Apple Camera Connection Kit required and available separately), select USB Stereo mode, which offers two channels in and out at up to 16-bit / 48 kHz. The USB port also enables fast file transfer and firmware updates.
3.5mm Outputs for Simultaneous Hookup to a Camera and Headphones
The H5 boasts 3.5mm line and headphone mini-jack outputs for simultaneously feeding your camera/DSLR and a pair of headphones. In addition to the dedicated side-panel headphone volume control, the level of the line output can be adjusted via the menu, allowing you to optimize the signal level being sent to your camera without the need for an attenuator cable. For quick playback reference, a built-in monophonic speaker is also provided.
Powered via AA Batteries or AC Adapter
Power the H5 via two included AA batteries, or plug it into a wall outlet with an AD-17 AC adapter (available separately). Alkaline batteries can keep the H5 running for up to 15 hours of continuous 16-bit / 44.1 kHz recording using the built-in X/Y mic. When using the H5 in the stereo USB audio interface mode, USB bus powering is possible.
Rugged and Portable, Handheld or Mounted
The rubberized, ergonomic body lends itself naturally to handheld use. Should you need to mount it on a mic stand or tripod, a threaded hole on the back of the H5 obviates the need for stand adapters. Obtain a hot shoe adapter (available separately) to attach the H5 directly to a DSLR.
Signal Processing Adds Sonic Polish
The H5’s onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low-frequency rumble. Normalize files for maximum gain, split them into smaller chunks, and even insert up to 99 marks per recording.
There’s an onboard metronome and tuner, and you can loop playback and adjust pitch and speed independently, making the H5 an ideal tool for phrase training.
Special Recording Functions
The H5 offers selectable recording functions designed to prevent you from accidentally missing the start of a performance. By keeping the previous two seconds of audio whenever you press the record button, the pre-record option ensures that you’ll never cut off the beginning of a great take. Auto-record can automatically start recording when a user-set sound level is detected, making it great for voice-activated recording.
Backup record enables the H5 to automatically record a duplicate set of stereo tracks with 12 dB less input gain. Even if your original track is distorted, chances are the backup version will be fine!
Supports External Remote Control
Use the RCH-5 remote (available separately) to control the transport, arm tracks, and adjust volume at a distance while eliminating handling noise.
MIC BY-WFM12MIC BY-WFM12
Operation Frequencies: 204-215MHZ
Modulation Frequency: DQPSK
Modulation Sensitivity: 6 mVinput for full deviation
Battery: LR6/AA size alkaline battery(not included)
Current Consumption: 160 mA
Antenna Length: 142mm(5.6″)
Weight: 80g(2.8 oz)without battery
MIC BY-A7HMIC BY-A7H
Plug-in Condenser Microphone
The BOYA BY-A7H is a compact plug-in omni-directional condenser microphone
that makes your smart device into high-quality recording device.
With 6mm capsule, it provides rich frequency, crisp and clear audio sound to your interviews,
videos, voice memos, speeches and more. Rubber splint design ensures fixed mic position to
avoid accidental rotating during video or audio shooting.
It features with 3.5mm TRRS, allows simply plug and play, and work with most iOS & Android devices,
or any other audio/video equipment with 3.5mm jack
Mic CVM-V30 LiteMic CVM-V30 Lite
Sound Field Mono
Polar Pattern Supercardioid
High-Pass Filter None
Frequency Range 40 Hz to 20 kHz
Maximum SPL 100 dB SPL
Impedance 2.2 Kilohms
Load Impedance None
Sensitivity -34 dB
Dynamic Range None
Signal-to-Noise Ratio 68 dB
Output Connectors 1 x 1/8″ / 3.5 mm TRRS
Cable Length 7.9″ / 20.07 cm
Operating Voltage 2.5 V
Dimensions ø: 2 x L: 6.3″ / ø: 50.8 x L: 160 mm
Weight 1.83 oz / 52 g
ZOOM H8ZOOM H8
Customized applications for field recording, music and podcasting
3 distinct interfaces for field recording, music and podcasting
Interchangeable input capsules
12-track simultaneous recording
Four mic inputs and two XLR/TRS combo connectors
Gain control knobs and -20dB pads for each input
Supplied XYH-6 X/Y capsule provides secondary input via a stereo ⅛” Mic/Line In mini phone jack
Phantom power for four main XLR inputs: +12/+24/+48V
Large color LCD touchscreen display
Records directly to SD, SDHC and SDXC cards up to 512GB
Up to 24-bit /96kHz audio in BWF-compliant WAV or a variety of MP3 formats
Auto-record, Pre-record and Backup-record functions mean that you’ll never miss that perfect take
Built-in effects, including low-cut filtering, compression, and limiting
Multichannel and stereo USB audio interface for PC/Mac/iPad