Sound
ZOOM H8
ZOOM H8Customized applications for field recording, music and podcasting
3 distinct interfaces for field recording, music and podcasting
Interchangeable input capsules
12-track simultaneous recording
Four mic inputs and two XLR/TRS combo connectors
Gain control knobs and -20dB pads for each input
Supplied XYH-6 X/Y capsule provides secondary input via a stereo ⅛” Mic/Line In mini phone jack
Phantom power for four main XLR inputs: +12/+24/+48V
Large color LCD touchscreen display
Records directly to SD, SDHC and SDXC cards up to 512GB
Up to 24-bit /96kHz audio in BWF-compliant WAV or a variety of MP3 formats
Auto-record, Pre-record and Backup-record functions mean that you’ll never miss that perfect take
Built-in effects, including low-cut filtering, compression, and limiting
Multichannel and stereo USB audio interface for PC/Mac/iPad
Mic CVM-MF5
Mic CVM-MF5Style:Handheld MicrophoneUse:Conference MicrophoneSet Type:Single MicrophoneBrand Name:ComicaModel Number:CVM-MF5Transducer:Microphone Wind Muff for Shotgun Mic
NIC CVMW-M-02 SONY
NIC CVMW-M-02 SONYCOMICA Omnidirectional polar pattern microphone input line.
Adopting CNC processing terminal technology.
Accurate Size, Cable is made of Silica-gel material.
High sensitivity signal transmission.
Specially designed for Sony wireless microphones.
Specifications:
Brand: COMICA
Model: CVM-M-O2
Directivity: Omnidirectional
Sensitivity: -35dB ±2dB
Frequency Response: 30Hz~20KHz
S/N: >65dB
Max Sound Pressure Level: >100dB
Wire Length: 1.2m
Item Weight: 20g / 0.7oz
Package Size: 11.7 * 7.8 * 2.9cm / 4.6 * 3.1 * 1.1in
Package Weight: 41g / 1.4oz
1,100 EGPAdd to cart
MIC CVMW-M-01
MIC CVMW-M-01Item Weight 1.41 ounces
Package Dimensions 4.4 x 3.1 x 1.1 inches
ASIN B07YFRJK1M
Item model number VF-CVM-M-O1
Customer Reviews 4.8 out of 5 stars 6 ratings
4.8 out of 5 stars
Best Sellers Rank #79,980 in Musical Instruments (See Top 100 in Musical Instruments)
#936 in Wireless Lavalier Microphones & Systems
#26,936 in Music Recording Equipment
Date First Available October 6, 2019
Connector Type 3.5 mm Jack
Material Type Gel
Size VF-CVM-M-O1
Hardware Platform Tablet
1,100 EGPAdd to cart
Mic CVM-V30 Lite
Mic CVM-V30 LiteSound Field Mono
Capsule Condenser
Polar Pattern Supercardioid
Pad None
High-Pass Filter None
Performance
Frequency Range 40 Hz to 20 kHz
Maximum SPL 100 dB SPL
Impedance 2.2 Kilohms
Load Impedance None
Sensitivity -34 dB
Dynamic Range None
Signal-to-Noise Ratio 68 dB
THD None
Connectivity
Output Connectors 1 x 1/8″ / 3.5 mm TRRS
Cable Length 7.9″ / 20.07 cm
Power
Operating Voltage 2.5 V
Physical
Dimensions ø: 2 x L: 6.3″ / ø: 50.8 x L: 160 mm
Weight 1.83 oz / 52 g
Mic CVM-V30B/R
Mic CVM-V30B/RBrand Comica
Color CVM-V30 Red
connector-type 3.5 mm Jack
Audio Sensitivity 10 dB
Batteries 2 AAA batteries required.
Polar Pattern Unidirectional
Item Weight 0.82 Pounds
Hardware requirements Camcorder, Camera
1,000 EGPAdd to cart
Nic Mic 2×1 CVM-D02 6m
Nic Mic 2×1 CVM-D02 6mComica omnidirectional condenser lavalier microphone CVM-D02 is one dual-head mic for audio recording from two different persons; Cable length 2.5m/8.2ft. The Mic adopts 2.5mm diameter silica-gel cable, and metal mic-shield materials for production, coming with excellent anti-interference function, and packed in windscreen for broadcast-quality recording for smartphone, camera, camcorder, audio device and for GoPro Hero 4/3+/3 action camera.
Technical Parameter
Polar Pattern:Omni-directional
Maximum SPL: 100dB
Frequency Range: 50Hz~20kHz
THD: <5%
Dynamic Range : 114dB(per IEC651)
Sensitivity: -35dB±3dB re 1V/Pa @1kHz
Signal / Noise: 68dB SPL (@1kHz,rel 1Pa per IEC651)
Material Cable Material:Silica-gel
Mic Shield Material:Aluminum Alloy
Cable Length: 2.5m / 4.5m / 6.0m
Nic Mic CVM-V03GP
Nic Mic CVM-V03GPCommlite CoMica Lavalier Microphone CVM-V03GP is specially designed and used for GoPro,such as GoPro Hero 3/3 /4 Action Camera. The mic utilizes the Omni-directional and super anti-interference Mic head, coming with exquisite design as well as excellent functions like ‘ 10dB’ dB adjusting and working indicator, working with the normal Lithium battery CR2032 and long cord, making your recording more versatile. This unit the best advantage is microphone, it is special design for Gopro , filter out noise, so the recording sound-quality is much better than the gopro internal one’s.Unit is extremely lightweight, designed for optimum portability and comfort, and delivers some of the clearest recorded sound you can find.
Features:
a.Compatible for GoPro Hero 4/3 /3/2/1 Action Camera
b. 10dB adjustment, optional and flexible
c.Come with Mini USB plug microphone, just plug it without converter adapter
d.Special design of Power indicator, easy to operation.
e.Omni-directional super-shield mic-head, pick up sounds from your environment easily
f.With A Secure Active Clip, you can clip it on your lapel or pocket where you like
g.With wind muff Built-in metal shield and power-drived control to efficiently decrease noise, make perfect sound volume
h.Precise Design of CR2032 Battery, simply to replace
i.Along with 6.2m Long Cord to meet your needs
i.A Portable Carrying Bag for convenient carrying
j.Extremely lightweight, Plug and Play,Easy to Use
Specifications:
Brand: Commlite
Model: CVM-V03GP
Polar Pattern: Omni-directional
Maximum SPL: ≥134dB SPL(@1kHz, 1% THD into 1KΩ load)
Frequency Range: 20 ~ 20KHz
THD: ≤0.3%
Output Impedance: 200Ω
Dynamic Range: 114dB
Sensitivity: -28dB or -38dB±3dB @1kHz
Signal/Noise: ≥74dB SPL
Dimension: 36(Diameter)*12mm
Package Size: 16.3 * 11 * 5cm / 6.4 * 4.3 * 2in
Package Weight: 132g / 4.7oz
Zoom Mic H2N
Zoom Mic H2N5 Integrated Microphones
4 Selectable Recording Patterns
3.5mm I/O
1.8″ Backlit LCD Display
40mm Drivers on Headphones
20 Hz to 20 kHz Frequency Response
Comfortable Closed-Back Design
4,250 EGPAdd to cart
ZOOM H1N
ZOOM H1NSpeech, Sound Effects & Music Recording
Onboard Stereo Mic, Built-In Speaker
3.5mm Mic/Line Input with Plug-In Power
Simple Layout of Common Controls
Records in WAV up to 96 kHz
3.5mm Line/Headphone Output
Auto-Record & Pre-Record Functions
Battery Life up to 10 Hours
Supports microSDHC Cards up to 32GB
Auto-Level, Limiter & Low-Cut Filte
Recording Media microSD/SDHC (class 4 or higher, up to 32 GB)
Recording Format WAV: 44.1 kHz/16-bit, 48 kHz/16-bit, 48 kHz/24-bit, 96kHz/24-bit
MP3: 48 to 320 kbps
Display Monochrome LCD (96×64) with REC LED (red), 1.25″ / 3.2 cm
Inputs Built-In Mic: 90° XY stereo format, 120 dB SPL maximum, -∞ to 39 dB input gain
Mic/Line In: 3.5 mm stereo jack, -∞ to 39 dB input gain, 2 kOhms or higher impedance rating, plug-in power (2.5 V) supported
Outputs 3.5 mm combined line/headphone stereo jack
USB Micro-USB, USB 2.0 high-speed
Interface Operation Mode USB class compliant, 44.1 / 48 kHz sample rate, 16-bit, 2 x 2 operation, asynchronous transfer
Power 2 x AAA batteries (alkaline, NiMH, or lithium)
Recording Time About 10 hours (alkaline batteries, built-in mic at 44.1 kHz / 16-bit)
Dimensions (W x D x H) 2.0 x 5.4 x 1.3″ / 5.0 x 13.8 x 3.2 cm
Weight 2.1 oz / 60.0 g
Packaging Info
Package Weight 0.5 lb
Box Dimensions (LxWxH) 8.6 x 4.3 x 1.7″
2,650 EGPOut of Stock
zoom h4n pro
zoom h4n proIdeal for guitarists, bassists, and vocalists looking to produce studio-quality tracks on a single travel-friendly device, the Zoom H4n Portable Handheld Recorder with Onboard Stereo Microphone Capsule and versatile mic/line/instrument inputs lets you record up to four tracks of high-resolution audio in the palm of your hand. Plug in your favorite guitar and microphone, and enjoy unlimited overdubbing, amp simulation, and a slew of effects to develop your tracks into a polished mix.
Like other H-Series Handy recorders such as the H5 and H6, you can hold it in your hand, attach it to a mic stand or tripod, or mount it to a camera (shoe mount available separately). The H4n Pro packs a surprising array of features into a rugged, rubberized body that’s more than ready to meet the varied demands of songwriters, musicians, filmmakers, sound designers, content creators, and more.
From plentiful battery life to powerful audio processing functions, the H4n Pro is well equipped to handle anything from tracking live performances, demos, and complete songs to recording sound effects, interviews, and meetings. It can supply phantom or plug-in power for condenser mics or accepts direct connections from instruments such as a guitar, bass, or keyboard. No matter the source, selectable auto-recording and pre-recording ensure that you’ll never miss the start of a take.
Onboard Adjustable Stereo Microphone
Leave your external mics at home and travel light. The H4n Pro is outfitted with an onboard stereo microphone that provides clear, phase-accurate capture in two different X/Y positions—90° for a tight stereo image or 120° for a wider perspective. Just twist the capsules to their premarked positions to switch between the two configurations. With nothing more than the H4n Pro, you’re set to record speech, practice sessions, concerts, or ambient and environmental sounds, even ear-rattling thunder up to 140 dB.
2-Channel Microphone/Line/Instrument Inputs
Equipped with two locking XLR-1/4″ combo inputs and a 3.5mm stereo mini-jack input, the H4n Pro can accommodate condenser microphones, line-level sources, or unbalanced instrument-level signals. Turn on 24 or 48 VDC phantom power to the XLR jacks, or 2.5V plug-in power to the mini jack. Whether you plan on plugging in a guitar and your favorite studio condenser mic to record a singer-songwriter or feel like hooking up a lavalier mic for an interview, the H4n Pro’s preamps (identical to those found in the H5 and H6) are ready to deliver low-noise (-120 dBu EIN) performance.
If you happen to setup external microphones in a mid-side configuration, the integrated MS decoder allows adjustment to the perceived width of the stereo image, which is beneficial for sound design, broadcasting, or general stereo-to-mono compatibility.
Record up to 4 Channels Live or Overdub Layers
The H4n Pro boasts multiple recording modes, and is capable of up to 24-bit / 96 kHz resolution. Record in stereo from the onboard mic or input jacks, or use 4CH Mode to simultaneously record the onboard mic (or 3.5mm mic input) and two external sources via the XLR-1/4″ jacks (great for getting the room sound and a stereo feed from a mixer). Alternatively, switch to MTR mode to utilize the H4n Pro as a 4-track studio complete with overdubbing, punch recording, and built-in effects. The H4n Pro’s internal mixdown function lets you adjust levels and pans as you blend four tracks down to stereo.
SD-Card Recording and Audio Interface Functionality
Maximize portability by recording directly to an SD card (up to 2GB capacity) or SDHC card (up to 32GB capacity). A 4GB SDHC card yields approximately 380 minutes of 16-bit / 44.1 kHz stereo recording time using the BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility. Note that media cards are available separately, and larger capacity cards may increase startup times.
Alternatively, use the H4n Pro as a 2-in/2-out USB 2.0 audio interface at up to 48 kHz. At 44.1 kHz, you’ll have the option to use the built-in effects on input signals. The USB port also enables fast file transfer and firmware updates.
3.5mm Output to Connect to a Camera or Headphones
The 3.5mm line/headphone mini-jack output features a dedicated volume control, making it capable of feeding your camera/DSLR or a pair of headphones. For quick playback reference, a built-in monophonic speaker is provided.
Powered via AA Batteries or AC Adapter
Power the H4n Pro with the two included AA batteries, or plug it into a wall outlet with an AD-14 AC adapter (available separately). Alkaline batteries can keep the H4n Pro running for up to 10 hours in Stamina mode (built-in mics, 16-bit / 44.1 kHz, no headphones), while NiMH batteries extend recording time a bit further.
Rugged and Portable, Handheld or Mounted
The rubberized, ergonomic body lends itself naturally to handheld use. Should you need to mount it on a mic stand or tripod, a threaded hole on the back of the H4n Pro obviates the need for stand adapters. Obtain a hot shoe adapter (available separately) to attach the H4n Pro directly to a DSLR.
Extensive Audio Processing
The H4n Pro offers studio-grade effects and emulators to enhance your recordings. Choose from a variety of effects such as compression, limiting, reverb, delay, echo, modulation, a low-cut filter, and more. Normalize files for maximum gain, split them into smaller chunks, and insert up to 99 marks per recording.
There’s an onboard metronome and tuner, along with dozens of amp models and effects crafted for guitar and bass. Additionally, you can loop playback and adjust pitch and speed independently, making the H4n Pro an ideal tool for phrase training.
Special Recording Functions
Stereo and 4CH modes offers selectable recording functions designed to prevent you from accidentally missing the start of a performance. By keeping the previous two seconds (one second at 96 kHz sample rate) of audio whenever you press the record button, the prerecord option ensures that you’ll never cut off the beginning of a great take. Auto-record can automatically start recording when a user-set sound level is detected, making it great for voice-activated recording.
Supports External Remote Control
Use the RC4 remote (available separately) to control the H4n Pro. It allows you to start and stop recording, fast forward and rewind through your files, switch the input source, and set recording/playback levels at a distance while eliminating handling noise.
Highly Visible Display
Day or night, view vital information such as audio levels, recording time, battery status, and more on the 1.9″ monochrome backlit LCD. Transport controls, menu navigation buttons, track and input select buttons are presented nearby for access to all the H4n Pro’s operations and functions.
4,500 EGPOut of Stock
Zoom Mic H6
Zoom Mic H6Ideal for bands, multi-instrumentalists, and podcasters, the Zoom H6 portable handheld recorder lets you quickly record up to six simultaneous input signals regardless of your audio experience. With two swappable stereo microphone capsules, six versatile mic/line inputs, and up to 6-track recording, the H6 is both user-friendly and easily expandable.
Like other H-Series Handy recorders such as the H4n Pro and H5, you can hold it in your hand, attach it to a mic stand or tripod, or mount it to a camera (shoe mount available separately); the H6 packs an impressive array of features into a rugged, rubberized body that’s more than ready to meet the varied demands of musicians, content creators, videographers, and sound designers.From the intuitive, tactile controls to the plentiful battery life and powerful audio processing functions, the H6 is well equipped for producing pristine audio for complete musical arrangements, independent films, and panel podcasts. It can supply phantom or plug-in power for condenser mics, or accept direct connections from synths, keyboards, drum machines, or +4 dB line-level mixers. No matter the source, selectable auto-recording and pre-recording ensure that you’ll never miss the start of a take, and stereo safety track recording provides duplicate tracks at a lower level to avoid distortion.
Fast, User-Friendly Operability
The H6’s front panel is ergonomically arranged with its most essential and commonly used controls—transport buttons for record, play/pause, stop, back, and forward operations, individual record-arm buttons that double as mute switches during playback, large gain knobs, and pad switches. For added safety, a hold switch disables all front-panel buttons to prevent accidental operation during recording.
Day or night, view vital information such as audio levels, recording time, battery status, and more on the 2″ full-color LCD, which happens to be backlit and angled for maximum visibility.
Instant Access to Gain Adjustments
Each H6 input has its own dedicated gain control knob. There’s no track selection or button pressing required to optimize your recording levels; just turn the dials (clearly labeled from 0 to 10) anytime you need to adjust the gain. If your XLR-1/4″ input sources are so loud that you need even less gain than the preamps provide at the “0” setting, use four front-panel pad switches to attenuate the combo inputs by 20 dB.
Interchangeable Stereo Microphone Capsules
Leave your external mics at home and travel light; the H6 includes two interchangeable stereo microphone capsules. With nothing more than the H6, you’re set to record speech, practice sessions, concerts, or ambient and environmental sounds, even ear-rattling ones up to 136 dB (via the X/Y capsule)!
The XYH-6 capsule provides clear, phase-accurate capture in two different X/Y positions—90° for a tight stereo image or 120° for a wider perspective. Just twist the capsules to their premarked positions to switch between the two configurations.
Switch to the MSH-6 capsule to record in a mid-side configuration. Its front-facing directional element picks up direct signal while the side-facing bidirectional element captures ambience. The H6’s integrated MS decoder allows adjustment to the perceived width of the stereo image, which is beneficial for sound design, broadcasting, or general stereo-to-mono compatibility.
Supports Interchangeable Zoom Mic Capsules
The Zoom mic capsule input on the H6 accommodates Zoom’s line of separately available interchangeable capsules, which can be swapped out as easily as the lenses of a camera. With shock-mounted X/Y and mono or stereo shotgun mic capsules to choose from, you can be ready to record music, dialog, or sound effects without carting an external microphone setup. Opt for the EXH-6 combo input capsule to accept two additional mic/line signals via XLR-1/4″ jacks.
Six Channels of Microphone/Line Inputs
Equipped with four XLR-1/4″ combo inputs and a 3.5mm stereo mini-jack input (on the XYH-6 capsule), the H6 can accommodate condenser microphones, +4 dB balanced line-level sources, or signals from unbalanced instruments with active electronics. Turn on 12, 24, or 48 VDC phantom power to the XLR jacks, or 2.5V plug-in power to the mini jack. Whether you plan on recording studio condenser mics, feeds from wireless receivers, or a lavalier and shotgun mic combo for an interview, the H6’s preamps are ready to deliver low-noise (-120 dB EIN) performance.
Record All Channels Live or Overdub Layers
The H6 boasts 6-channel recording at up to 24-bit / 96 kHz resolution. Record all channels simultaneously or utilize the overdubbing function to add layers of instruments after an initial recording. Adjust levels and pans for your tracks, then use the H6’s internal mixdown function to blend six tracks down to a stereo file.
SD Card Recording and Audio Interface Functionality
Maximize portability by recording directly to an SD card (up to 2GB capacity), SDHC card (up to 32GB capacity), or SDXC card (up to 128GB capacity). A 2GB card will yield over three hours of 16-bit / 44.1 kHz stereo recording time using the BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility. Note that media cards are available separately, and larger capacity cards will increase startup times.
Alternatively, use the H6 as a 6-in/2-out USB 2.0 audio interface at up to 24-bit / 96 kHz. For audio interface operation with an iPad (Apple Camera Connection Kit required and available separately), select USB stereo mode, which offers two channels in and out at up to 16-bit / 48 kHz.
3.5mm Outputs for Simultaneous Hookup to a Camera and Headphones
The H6 boasts 3.5mm line and headphone mini-jack outputs for simultaneously feeding your camera/DSLR and a pair of headphones. Independently adjust the headphone volume via the side-panel volume control. For quick playback reference, a built-in monophonic speaker is also provided.
Powered via AA Batteries or AC Adapter
Power the H6 via four included AA batteries, or plug it into a wall outlet with an AD-17 AC adapter (available separately). Alkaline batteries can keep the H6 running for over 20 hours of continuous 16-bit / 44.1 kHz recording using the X/Y mic capsule, or for over nine hours of nonstop 24-bit / 96 kHz recording using the X/Y mic and the four XLR-1/4″ inputs. When using the H6 in the stereo USB audio interface mode, USB bus powering is possible.
Rugged and Portable, Handheld or Mounted
The durable, ergonomic body lends itself naturally to handheld use. Should you need to mount it on a mic stand or tripod, a threaded hole on the back of the H6 obviates the need for stand adapters. Obtain a hot shoe adapter (available separately) to attach the H6 directly to a DSLR.
Signal Processing Adds Sonic Polish
The H6’s onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low-frequency rumble. Normalize files for maximum gain, split them into smaller chunks, and even insert up to 99 marks per recording.
There’s an onboard metronome and tuner, and you can loop playback and adjust pitch and speed independently, making the H6 an ideal tool for phrase training.
Special Recording Functions
The H6 offers selectable recording functions designed to prevent you from accidentally missing the start of a performance. By keeping the previous two seconds (one second at 96 kHz) of audio whenever you press the record button, the pre-record option ensures that you’ll never cut off the beginning of a great take. Auto-record can automatically start recording when a user-set sound level is detected, making it great for voice-activated recording.
Backup record enables the H6 to automatically record a duplicate of the L/R input with 12 dB less input gain. Even if your original track is distorted, chances are the backup version will be fine!
Supports External Remote Control
Use the RCH-6 remote (available separately in the APH-6 accessory pack) to control the transport, arm tracks, and adjust volume at a distance while eliminating handling noise.
5,600 EGP 5,500 EGPOut of Stock
Zoom Mic H5
Zoom Mic H5Ideal for documentaries, podcasting, audio for video, and professional sound design, the Zoom H5portable handheld recorder lets you quickly record up to four input signals regardless of your audio experience. With a swappable stereo microphone capsule, versatile 2-channel inputs, and up to 4-track recording, the H5 is both user-friendly and easily expandable.
Like other H-Series Handy recorders such as the H4n Pro and H6, you can hold it in your hand, attach it to a mic stand or tripod, or mount it to a camera (shoe mount available separately); the H5 packs an impressive array of features into a rugged, rubberized body that’s more than ready to meet the varied demands of musicians, videographers, sound designers, content creators, and news shooters.From the plentiful battery life to the powerful audio processing functions, the H5 is well equipped to handle anything from tracking live performances and podcasts to recording interviews, dialogue, and sound effects. It can supply phantom or plug-in power for condenser mics, or accept direct connections from synths, keyboards, drum machines, or +4 dB line-level mixers. No matter the source, selectable auto-recording and pre-recording ensure that you’ll never miss the start of a take, and stereo safety track recording provides duplicate tracks at a lower level to avoid distortion.
Fast, User-Friendly Operability
The H5’s front panel is ergonomically arranged with its most essential and commonly used controls—transport buttons for record, play/pause, stop, back, and forward operations, individual record-arm buttons that double as mute switches during playback, and large gain knobs. For added safety, a hold switch disables all front-panel buttons to prevent accidental operation during recording. Day or night, view vital information such as audio levels, recording time, battery status, and more on the large, monochrome backlit LCD.
Instant Access to Gain Adjustments
Each H5 input has its own dedicated gain control knob, located beneath a protective bar that prevents accidental movement during handling. There’s no track selection or button pressing required to optimize your recording levels; just turn the dials (clearly labeled from 0 to 10) anytime you need to adjust the gain. If your XLR-1/4″ input source is so loud that you need even less gain than the preamps provide at the “0” setting, use the menu system to activate the -20 dB pad (selectable per input).
Interchangeable Stereo Microphone Capsule
Leave your external mics at home and travel light. The H5 is outfitted with Zoom’s XYH-5 interchangeable stereo microphone that provides clear, phase-accurate capture in a classic 90° X/Y configuration for a tight stereo image. The matched unidirectional condensers are housed within a specially designed shockmount that employs rugged external mic wires and rubberized material to minimize vibration and handling noise. With nothing more than the H5, you’re set to record speech, practice sessions, concerts, or ambient and environmental sounds, even ear-rattling ones up to 140 dB!
Supports Interchangeable Zoom Mic Capsules
The Zoom mic capsule input on the H5 accommodates Zoom’s line of separately available interchangeable capsules, which can be swapped out as easily as the lenses of a camera. With mid-side, X/Y, and shotgun mic capsules to choose from, you can be ready to record music, dialog, or sound effects without carting an external microphone setup. Opt for the EXH-6 combo input capsule to accept two additional mic/line signals via XLR-1/4″ jacks.
2-Channel Microphone/Line Inputs
Equipped with two XLR-1/4″ combo inputs and a 3.5mm stereo mini-jack input, the H5 can accommodate condenser microphones, +4 dB balanced line-level sources, or signals from unbalanced instruments with active electronics. Turn on 12, 24, or 48 VDC phantom power to the XLR jacks, or 2.5V plug-in power to the mini jack. Whether you plan on recording studio condenser mics, a stereo feed from a mixer or wireless receiver, or a lavalier mic for an interview, the H5’s preamps (identical to those found in the H6) are ready to deliver low-noise (-120 dB EIN) performance.
If you happen to setup external microphones in a mid-side configuration, the integrated MS decoder allows adjustment to the perceived width of the stereo image, which is beneficial for sound design, broadcasting, or general stereo-to-mono compatibility.
Record up to 4 Channels Live or Overdub Layers
The H5 boasts multiple recording modes, and is capable of up to 24-bit / 96 kHz resolution. Record in stereo from the X/Y mic capsule or input jacks, or use Multi File mode to simultaneously record the X/Y mic and two external sources (great for getting the room sound and a stereo feed from a mixer). Alternatively, Multi File mode can be utilized for overdubbing in case layers of instruments need to be added after an initial recording. The H5’s internal mixdown function lets you adjust levels and pans as you blend four tracks down to stereo.
SD Card Recording and Audio Interface Functionality
Maximize portability by recording directly to an SD card (up to 2GB capacity) or SDHC card (up to 32GB capacity). A 2GB SDHC card will yield approximately three hours of 16-bit / 44.1 kHz stereo recording time using the BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility. Note that media cards are available separately, and larger capacity cards will increase startup times.
Alternatively, use the H5 as a 4-in/2-out USB 2.0 audio interface at up to 24-bit / 48 kHz. For audio interface operation with an iPad (Apple Camera Connection Kit required and available separately), select USB Stereo mode, which offers two channels in and out at up to 16-bit / 48 kHz. The USB port also enables fast file transfer and firmware updates.
3.5mm Outputs for Simultaneous Hookup to a Camera and Headphones
The H5 boasts 3.5mm line and headphone mini-jack outputs for simultaneously feeding your camera/DSLR and a pair of headphones. In addition to the dedicated side-panel headphone volume control, the level of the line output can be adjusted via the menu, allowing you to optimize the signal level being sent to your camera without the need for an attenuator cable. For quick playback reference, a built-in monophonic speaker is also provided.
Powered via AA Batteries or AC Adapter
Power the H5 via two included AA batteries, or plug it into a wall outlet with an AD-17 AC adapter (available separately). Alkaline batteries can keep the H5 running for up to 15 hours of continuous 16-bit / 44.1 kHz recording using the built-in X/Y mic. When using the H5 in the stereo USB audio interface mode, USB bus powering is possible.
Rugged and Portable, Handheld or Mounted
The rubberized, ergonomic body lends itself naturally to handheld use. Should you need to mount it on a mic stand or tripod, a threaded hole on the back of the H5 obviates the need for stand adapters. Obtain a hot shoe adapter (available separately) to attach the H5 directly to a DSLR.
Signal Processing Adds Sonic Polish
The H5’s onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low-frequency rumble. Normalize files for maximum gain, split them into smaller chunks, and even insert up to 99 marks per recording.
There’s an onboard metronome and tuner, and you can loop playback and adjust pitch and speed independently, making the H5 an ideal tool for phrase training.
Special Recording Functions
The H5 offers selectable recording functions designed to prevent you from accidentally missing the start of a performance. By keeping the previous two seconds of audio whenever you press the record button, the pre-record option ensures that you’ll never cut off the beginning of a great take. Auto-record can automatically start recording when a user-set sound level is detected, making it great for voice-activated recording.
Backup record enables the H5 to automatically record a duplicate set of stereo tracks with 12 dB less input gain. Even if your original track is distorted, chances are the backup version will be fine!
Supports External Remote Control
Use the RCH-5 remote (available separately) to control the transport, arm tracks, and adjust volume at a distance while eliminating handling noise.
5,250 EGPOut of Stock
MIC BY-M800
MIC BY-M800• Large gold-sputtered diaphragm
• Great for studio and broadcast
• Flat, wide-range frequency response
• Cardioid pickup pattern
• Controlled by low-cut filter switch
• A selectable -10dB pad
• Included shockmount & pop filter
• 24V or 48V phantom power
• Standard XLR connector
• 3m(10ft) XLR cable included
• Included 3/8″ and 5/8″ thread
1,999 EGPOut of Stock
MIC BY-WFM12
MIC BY-WFM12Operation Frequencies: 204-215MHZ
Modulation Frequency: DQPSK
Channels: 12
Transmitter
Modulation Sensitivity: 6 mVinput for full deviation
Battery: LR6/AA size alkaline battery(not included)
Current Consumption: 160 mA
Dimensions: 102×62.0×44.7mm(4.0″×2.4″×1.8″)
Antenna Length: 142mm(5.6″)
Weight: 80g(2.8 oz)without battery
2,000 EGP 1,850 EGPAdd to cart
BY-WS1000 WIND SHEILED
BY-WS1000 WIND SHEILEDInternal spacing
Diameter: 125mm
Length: 325mm
Net weight: 750g
Dimensions(L*H*D):
480*134*190mm(Min)
480*134*314mm(Max)
3,850 EGPAdd to cart
MIC BY-WM8 PRO K3 HAND
MIC BY-WM8 PRO K3 HAND48 Selectable Channels
Ideal for interviews, broadcast, EFP, and ENG applications
Up to 100m Operating Range
UHF Dual-Channel Wireless Microphone System
Capturing audio with dual subjects, features an easy-to-read LCD display, a wide switching RF bandwidth, PLL-synthesized tuning and digital companding circuitry.
BY-WHM8 PRO Wireless handheld transmitter
The BOYA BY-WHM8 Pro is a Wireless handheld transmitter with a dynamic, cardioid capsule, suitable for BOYA RX8 Pro and SP-RX8 Pro wireless receiver.
RX8 PRO Bodypack Receiver
The BOYA RX8 Pro is a compact and rugged beltpack audio receiver. With two channels design, it can work with two transmitters simultaneously, it’s compatible with BOYA TX8 Pro, BY-WHM8 Pro and BY-WXLR8 Pro (Transmitter sold separately). Adjustable the volume and two-mode (MONO, Stereo), it can be used in various environments for audio applications such as live stage, theatre, houses of worship, and more.
For outputs, the receiver features both a phone output for earphone monitoring as well as an output for connecting to the input of a camera with the included stereo mini cable. An optional stereo to dual XLR cable is available for connecting to a professional camera. The unit also comes with a shoe mount and locking adhesive strips for attaching to a camera or camcorder.
The beltpack can be wirelessly synced with the transmitter for quick setup, and also offers simple menu operation with an illuminated graphic display for more control options.
4,000 EGPOut of Stock
MIC BY-WM8 PRO K2
MIC BY-WM8 PRO K2Product Description
UHF Dual-Channel Wireless Microphone System
The BOYA BY-WM8 Pro-K2 is an upgrated UHF Dual-Channel Wireless Microphone System
for capturing audio with dual subjects, features an easy-to-read LCD display, a wide switching RF bandwidth,
PLL-synthesized tuning and digital companding circuitry.
The package is suitable for a wide range of wireless applications such as interviews,
electronic news gathering (ENG),electronic field productions (EFP), film production,
business and educational applications, and more.
The BY-WM8 Pro-K2 system consists of two bodypack transmitters, a camera-mount receiver,
and two omnidirectional lavalier microphones. Also included with this system is a shoe-mount adapter,
a single 1/8″ to XLR output cable, a single 1/8 to 1/8″ output cable, carrying case.
The receiver is built with mic and headphone output jacks.
The bodypack transmitter includes a MIC jack and LINE IN jack.
Note: To save battery life, if only use one transmitter, please turn OFF the other channel from receiver.
– Digital Companding
– Up to 48 Selectable channels
– Dual-Channel
– Up to 32 MHz of transmission bandwidth
– Easy and flexible wireless synchronization between transmitter and receiver via infrared.
– User-friendly menu operation
– Muting function
– Wide range of accessories adapts the system to most of requirements
– Locked-plug avoids accidental changing of settings
– Transmission Range: up to 100 meters / 300
5,000 EGPAdd to cart
MIC BY-A7H
MIC BY-A7HProduct Description
Plug-in Condenser Microphone
The BOYA BY-A7H is a compact plug-in omni-directional condenser microphone
that makes your smart device into high-quality recording device.
With 6mm capsule, it provides rich frequency, crisp and clear audio sound to your interviews,
videos, voice memos, speeches and more. Rubber splint design ensures fixed mic position to
avoid accidental rotating during video or audio shooting.
It features with 3.5mm TRRS, allows simply plug and play, and work with most iOS & Android devices,
or any other audio/video equipment with 3.5mm jack
MIC BY-M1DM
MIC BY-M1DMTransducer: Electret Condenser
Polar pattern: Omni-directional
Frequency Range: 65Hz ~ 18KHz
Signal / Noise: 74dB SPL
Sensitivity: -30dB +/- 3dB / 0dB=1V/Pa, 1kHz
Output Impedance: 1000 Ohm or less
Connector: 3.5mm (1/8”) 4-pole gold plug
Power requirement: LR44 (included)
Cable length: 4m(13ft)
Net weight: 68g(2.4 oz)